Tag Archives: fantasy fiction

How to Reach Level FANGIRL PRO

scarfI had a Harry Potter themed Christmas. Yeah, you read that right. My mancrush categorized his gifts to me due to the obscene amount that I fangirl over Harry Potter. Such treasures of love have inspired this instructional post on how to appropriately fangirl.

  • Read the book. Don’t watch the movie until you’ve read the book. Otherwise you’re not a genuine fangirl, and societies of fangirls everywhere will cast you aside, leaving you to knit your Gryffindor scarf in solitude.
  • Write a review of the book. Log on to Goodreads and gush about how much you like this character and how much of a douche bag the villain is, and how you will never know how ___ could make a choice between those two dreamy guys.
  • Start discussions on Goodreads, conversations in elevators, and downright debates, always defending the honor of your beloved characters. Always prove that what you’re fangirling over far surpasses what everyone else is fangirling over.
  • Find your people. Casually drop your favorite book title in conversation and gauge the reaction on a scale of 1 to 10. If the reaction is 1, “What the hell is that?” then don’t befriend that person. If you get a 5 “I saw the trailer for the movie,” then you might have an ally. But it takes a true 10, “Girl where have you been all my life?” to tightly knit your new friendship.
  • Make your favorite fictional world your actual world. Fill your life with mementos of your favorite places, worlds and characters. Perhaps if you get that Harry Potter wand remote control, you’ll start to feel like you’re actually at Hogwarts. Or if you put enough Cheshire Cats on your walls, you’ll feel like you’ve fallen into Wonderland.
  • Fill your closet with obscure shirts that only true fangirls would understand.
  • Get everyone who wants to remain in your life addicted to the books you’re addicted to.

After those seven easy steps, you will officially level up to FANGIRL PRO. It’s not a journey for everyone, but for those who are called to book geekery, it’s an important task.

How do you fangirl? Or boy?

-Dani Nicole

Dani and the Mid-Draft Crisis

writing-520x359Last December Dani had a crisis. She didn’t buy a new car or get her cartilage pierced. She simply stared at her second draft, halfway complete, and panicked. Was the voice too modern? Did it fit her story world? Dani didn’t know, and she began to doubt her writing powers.

She fretted over coffee with friends, the steam of the java doing nothing to clear her writer’s sinuses. She played with ideas of rewriting the whole thing, of ditching the manifestation of many nights of insomnia, too much caffeine and bursts of creative inspiration. Though she poured her heart into her manuscript, for a weak moment she thought of throwing it all away.

That’s what doubt can do.

It destroys writers, trapping them in a constant cycle of rewriting. They have to make their manuscripts perfect. Have to. They can’t move on, or sleep, or enjoy life until their creation is absolutely flawless.

It’s so easy to listen to the panic that constantly orbits below the surface. So how did Dani beat her mid-draft crisis? She started to understand that being a writer means trusting her own intuition. She discovered that writing groups are fantastic and absolutely necessary, but staying connected with the heart of her story was vital for her writing health.

Dani realized this was her story – her masterpiece. There were no hard and fast rules. She only had her creative mind and her knowledge of the writing craft to guide her. The answer she so desperately sought for those long days was always in her own heart. Finish the manuscript.

Just finish.

Flash Fiction Friday

Apocalypto by 88grzes, deviantART

Apocalypto by 88grzes, deviantART

Rookie Move

by Paige Duke

I set my feet like he taught me, tighten my grip, and nod. All too fast, the ball is flying at my face and I’m swinging with all my might. At nothing. Again. This was fun the first six times, but the novelty is wearing off.

“Okay, rookie.” Mateo says, walking toward me, doing his best to hide that smug smile. “I’ll show you one more time.”

“Nuh-uh, I don’t want your pity coaching. Throw it again.” I play tough girl to show I’m not mad, pretend I don’t mind looking ridiculous.
Three more failed attempts and I can’t keep up the act anymore. My back is burning, and the adrenaline rushing through my tensed muscles is screaming for release, willing me to take flight.

I drop the bat and walk in a little circle to calm myself. I’ve mastered my impulses. I’ve learned to suppress my powers day after day, and this is the thing that’s going to unhinge me? That I can’t hit a baseball. Pathetic. Mateo walks to me across the dirt field and with each of his steps, my frenzy loses ground.

He picks up the bat and holds it out to me, “Come on, let me show you one more time, I think you’re getting there.”

I roll my eyes, “Right.”

But I take the bat anyway and walk to stand in front of him. Maybe I’m missing on purpose, I realize. Because when he puts his hands on me to fix my grip on the bat, to guide my arms in the swing, to hold me against him a second too long—I can forget myself. Forget myself utterly. Inside his arms, I’m not a creature who slipped through the Veil, this forever caged and crippled halfling, I’m just a girl falling for a boy.

But it’s dangerous to forget. Selfish to let my guard down. And yet, I don’t know any other way. I can’t go back to those friendless, terrifying early days. Mateo is my only light in this gray and foreign world. I can’t give him up, but it’s not fair to hold him back either.

“Like this?” I say, swinging one more time, letting his arms guide me.

“Mhmm, all the mechanics are there, just gotta keep your eye on the ball.”

“Yeah, it’s that easy,” I say, ready to pull away, but he’s still got hold of me and his breath is hot on my neck.

He’s kissing the curve of my jaw and I’m just letting him, drifting into that fog of oblivion.

“Pax, you suck at baseball, but you are a goddess. Anyone ever tell you that?”

My eyes snap open, “Not in so many words.” I pull away, but his fingers are insistent against my elbows.

He turns me gently to face him. “Why are you fighting me?”

The world is chirping crickets and cool wind all around and the electricity of Mateo’s fingers against my skin. And there’s that absurd thought again, Just tell him. You can trust him.

Right, because a girlfriend who suddenly sprouts wings won’t be a problem. Love conquers all . . . all you need is love . . . all that human optimism will break down in the face of the Other.

But his eyes are so insistent, so pure, and then he’s kissing me, and I’ve lost myself. And against my will, I’m kissing him back. His fingers are restless, at my cheek, my back, my waist.

Alarm bells go off.

I tear myself away. I am aching and guilty and selfish. The hurt on his face is unbearable.

“Pax—”

I take two steps back, ignoring my better judgment, willing myself to do the right thing, to cut this off before I can hurt him any more. “I have to tell you something—show you, I mean. I’m sorry I’ve hurt you. But we can’t—I’m not—you won’t . . . ugh.” I don’t have the words to do this. So I turn and run, lightning fast, unleashing my power for the first time in so many months. I pull my jacket off and feel the wind at the open back of my shirt, soothing the fire that’s raging there at the unfurling of my cramped wings.

I’m airborne, I am free. I’m gaining height, soaring over the empty fields. Just get out of sight, far enough not to see him. I won’t have to face him again, he won’t come knocking at my door after this.

A whooshing fills my ears, and suddenly I’m spinning out of control, my arms pinned to my side. The sky is tumbling.

I’m falling. Plunging. But I can’t get at my wings. And the ground is too close—

The impact never comes. I’m floating, right side up again, set down gently onto my feet, looking impossibly upon another winged creature.

“Is that all?” He says, grinning.

“How—?”

“What, Pax? You thought you were the only one who ever wandered through the Veil?” Mateo laughs, “And here I was thinking I smelled bad or something.”

He is a thing of beauty, his bare skin in the fading light, the gloss of his wings jet black. But the sight of him is blurring through my tears. It’s all catching up to me: I’m not alone, I don’t have to hide, I won’t have to hold Mateo off.

His arms are around me again, his laugh is soft at my ear, “Aw, Pax, you’re such a rookie.”

Once Before

By Dani Nicole

Sunlight.

That’s all I see when I open my eyes. When I blink away the veil of my previous life and inhale the breath of a new one. I scan my memory, searching for clues. 

How did I die? Who am I now?

But as I think of my life so far, it answers me in haze of darkness. Nothingness.

I am nothing except what I am now. I stand up in a field of grass, hills rising up all around me. I’m in a valley, where the setting sun casts shadows that dance across the green.

One foot in front of the other. One exhale after each inhale. This life smells like fire. In the distance, smoke swirls up toward the sky, consuming a falling building.

Did I die in a fire?

I try to remember the sensation of burning. Of my skin consumed with flame. Did I choke, or scream, or try to put myself out? Did I die instantly, or did it take millions of seconds impossibly compressed in the span of minutes?

More steps toward the smoke, away from the place I was reborn.

Cold air frosts my bare arms. The tank top I wear does nothing to shield me from the ruthless wind. I wrap my arms across my chest and duck my head as I walk into the gust, away from comfort and warm and… knowing things.

As I walk, a song comes to mind. One that I’m sure I wasn’t supposed to keep.

In the sun,
In the sun she fades
Gone is the girl, the angel brave

She rides toward the earth
And rests upon her grave
Gone is the girl, the angel brave

And yet, there is a familiarity around me that shouldn’t be there either. The electric feeling in the air, the looming presence of danger.

I’ve been here before.

Impossible, but surety ripples through me. Assurance. I know these hills. I know that fire, that smoke and when I look at it, that desire. That desire to burn, to watch whatever’s inside crumble to the ground.

It was me.

I set the fire.

Memories prickle in my head like goosebumps on my skin. Flashes of ash and light and heat and sorrow and screams of death. The sun shifts in the sky and out of my peripheral vision I catch my shadow. Two eloquent, long wings extend from my shoulder blades, the feathers waving in the wind.

But when I reach behind me, I am greeted with only flesh and bone.

Flash Fiction Friday

920 by scheinbar, deviantART

Originals

by Paige Duke

The tall man in the fedora walked brusquely through the library’s lobby, unaware that every eye turned to follow his progress. He had become accustomed to being watched because, well, shifters weren’t usually hired to impersonate normal people. But it wasn’t that. He was still thinking about what he’d seen. About the knife in Mr. Calvert’s desk drawer and how he just wanted to be holding his box of originals in hand as soon as possible. He hadn’t meant to go snooping, it was a rule he upheld at all times. No snooping into clients’ private business. That was the quickest way to get into trouble in this line of work. He’d only meant to find some paper to take down a note from Mr. Calvert’s secretary, and there it was. The thing was lying in the desk drawer, covered in blood, sealed in a sandwich baggie. It was a miracle he’d managed to get the secretary’s note down at all after that little shock.

So he’d made some excuse and got out of there fast. That was the second biggest rule: Don’t run out on the job. But he thought this might be an exception. Dean wasn’t squeamish. He had been willing to look the other way, that was practically part of the job description. You didn’t hire a shifter unless you were into something on the side, it was always shady. But Calvert’s desk was like a crime scene now or something. He’d called to tell Mr. Calvert he was terminating the job early. Had redialed so many times he’d lost count. Why won’t he pick up?

Dean was sweating, he realized as he stood in line at the front desk. He prayed the two people in front of him would be quick. Usually he didn’t mind shifting. It was fun—being someone else for a few days, driving nice cars, flirting with beautiful women, stuff like that. But this was crossing the line. He was not gonna let the likes of Mr. Neil Calvert III get him caught up in something illegal.

The thought made him go cold. No, he had done that to himself already. He was underage. He was only trying to stash some money away for college, but the courts wouldn’t care about that. He was shifting illegally.

Oh my god.

If I get caught, I am in the shit.

Hurry up!! He pleaded under his breath. Miraculously, it worked. The person at the front of the line stepped away from the counter. Only one guy left, then Dean would just get his originals and go.

Most of his colleagues kept their originals, as they called it in the business—clothes, keys, wallet, ID, the usual effects along with their DNA pills—at banks or other high-security companies that dealt exclusively with shifters. But, as Dean was trying to keep his operation under the radar, he’d had to go with something less institutionalized. The local library rented out lockers for community members and guaranteed they were vigilant about security. It seemed suddenly ridiculous, irresponsible, he felt so exposed—keeping his originals in the library!

Dean forced himself to calm down, to be reasonable. John Malcolm has the only spare key. It’s alright, you’ll be back in your own skin in no time. Yeah, he was being ridiculous. He would hand John his key, the man would go back to the lockers, return with his box as usual, he’d make a quick trip to the bathroom to shift back, and he’d be out of there. Home free.

The man in front of him moved, and the scene played out just as Dean had seen it in his mind, as he had done it hundreds of times before.

But in the quiet of the bathroom stall, as Dean was finally calming down, lifting the lid to his box of originals, he began to shake.

The box was empty.

The Dark Witch’s Dagger

by Dani Nicole

17 was the worst one.

50 was better.

When I got to 100 I stopped feeling the pain. But it came back at 200.

920… 920 lashes. 920 piercing cries. 920 fingers breaking and forging again. 920 times my body will be taken apart by the Dark Witch, and 920 times it will be put back together again.

She hovers over me, her face delicate and pale. I wonder how it would bleed. Would her blood be the same violet hue as mine? Or would it be something wretched and ugly as her heart?

She cursed me to this, and oh… the things I would do to her… as she –

901.

That one stung. It was a lash. She likes those. The sound of the whip on my bare skin, the crack of flesh, the oozing blood. She delights in it. She chuckles, giggles, with a hint of mania bubbling beneath the surface.

905.

My curiosity peaks as we get closer to the final number, but 906 feels like I’m dying. She breaks four of my left fingers. They shrivel, turn gray. Then I breathe life into them and they heal, the bones poking the tender flesh, the nails piercing beneath cuticles.

Do this, let her do this, and you will get yours on 920.

As she cuts my arm with a blade, number 914, I wonder if the words I hear chanted in my mind are just false hope. What if this prison of torture is my permanent home? What if I’m not even alive?

917 is more lashes.

918 is a broken shin.

919 is the sound of my mother’s voice when the Dark Witch murdered her. Her screams fill the cavern. The chains which bind my wrists and ankles quiver. Or maybe it is me. Shaking with the fury of 919 strikes, cuts, broken bones. 919 moments of pain.

She circles me once, looks into my eyes. “Let me try something special. Something to change things up. I’ve lost count by now, but it seems as though I’ve been doing the same thing… over and over… and yes, how I’d love to see a new look of pain on that pretty face.”

She takes her dagger from the stool, places it near my heart. “For someone so indestructible as you, I wonder if a blade to the heart would finally bring you down. You see… you see at first,” she laughs “at first it was just a game! The look of pain on your face was just too much fun. And the way you reacted to your mother’s screams… oh yes, you gave me quite the show. But now…” she yawns, “now I grow tired.” She grips the knife, presses it against my skin. “Now it’s time to end this.”

She smiles, her teeth perfect and white, then drives the knife into my heart.

Pain rips through my body, cuts me in half. I fight to sew my sides together, to keep my soul rooted in my being as it begs to drift elsewhere. When she removes the dagger, the hilt starts to glow violet – the color of my blood.

A voice fills the room, this time not my mother’s. The same voice that’s chanted in my mind all this time. And in the moment of the Dark Witch’s greed, the one she captures will be freed. The victim’s blood will pay the price, the Dark Witch shall end her gruesome fight.

The purple swirls up the hilt, onto the Dark Witch’s hands. It stains her skin and sears into it, causing smoke and the smell of burning flesh to permeate the air. It spots her skin in hundreds of places, until she falls to the ground writhing.

The knife she holds turns on her, and drives itself into her heart.

As the sizzling stops, the smoke fades, the chains around my hands break. I walk over to her, tapping her body with my shoe, but she falls limp, the dagger still stuck in her heart.

Number 920.

 

How a Victorian Engineer Inspired My Protagonist

I should have known by his name that this man would be the larger-than-life figure I needed as inspiration for my protagonist. Isambard Kingdom Brunel. You’re destined for greatness with a name like that. And I needed some real-world greatness to help me lay a foundation for my protagonist. In my previous post, “Research: An Antidote for Writers Block,” I wrote about using research to solve some of the structural problems in the world of my fantasy novel. I scoured the Internet for notable figures from the Victorian Era and stumbled onto Brunel. I had found my man: an influential engineer whose name, work, and character lived far beyond the reach of his natural lifetime. Not only did he create some of the most innovative and memorable structures of the Victorian Industrial Age, but he stood out among his contemporaries as a person of tireless vision and ambition, even from a young age.

Twenty-one years old. I was still in college . . . changing my major, how about you? What were you doing at twenty-one? This man, I.K. Brunel, was already working as resident engineer on the construction of the Thames Tunnel. Can you imagine?

Thames Tunnel, Lithograph by Taulman after Bonisch (public domain)

Thames Tunnel, Lithograph by Taulman after Bonisch (public domain)

He was working alongside his father, Marc Brunel, a prominent engineer of the time, who had invented a tunneling shield that made building the underwater tunnel possible. It was the first of its kind and, at its opening in 1843, it was named the Eighth Wonder of the World. But the road to success wasn’t always glorious—the tunnel flooded during the third year of construction, and six of the crew were killed; Brunel barely survived when his assistant pulled his unconscious body from the water. It wouldn’t be the last time Brunel found himself in a tough spot.

From there, he worked on the Bristol Clifton Suspension Bridge. Like the Thames Tunnel, it was a record breaker—the longest bridge in the world at the time it was built. Brunel, then twenty-three years old, submitted one design after another and found himself battling the design put up by Thomas Telford, a well-known engineer in his seventies and the chair of the Clifton committee. But in the end Brunel won the commission. As if that David-and-Goliath-scale victory weren’t enough, he gained more notoriety with his next stunt. During construction, someone had the brilliant idea to string up a 1,000-foot iron bar that would carry a basket back and forth to bring supplies across the chasm. And guess who volunteered to test it? Yep, Brunel—he climbed into the basket and set off across the gorge, and it was going well . . . until the rope snagged. So he climbed out and freed it so he could get across. He was stranded, what else could he do, right? Needless to say, people took notice.

Clifton Suspension Bridge, illustration (public domain)

Clifton Suspension Bridge, illustration (public domain)

So you can imagine by now what kind of man we’re talking about. Now think bigger, much bigger. As in Titanic. Before the infamous steamship was a twinkle in Thomas Andrews’ eye, I.K. Brunel was dreaming of The Great Western. He was convinced he could carry a passenger across the Atlantic by steam power—not so remarkable to a twenty-first century mind, but at the time it had never been done and . . . Brunel had never before designed a ship. Though he was opposed, ridiculed, and badly burned during construction, he saw the ship completed and arriving in New York from London in 1838. Oh and, by the way, it was the longest ship in the world.

SS Great Western (public domain)

SS Great Western (public domain)

The rest of Brunel’s life followed a similar trajectory of one innovative project after another. And it was this more than anything that drew me to him as a character of history: he was a man with astounding imagination, who broke through the boundaries of the known world, and the challenges of his own life, to pioneer a way into the future as we know it. I relied on details from Brunel’s life—engineering competitions, the setup of a drafting office, techniques of shipbuilding—to help construct my protagonist’s life and work, though the challenges he faces are of a more fantastical nature. Still, he has the heartbeat of men like Brunel: ambitious, visionary, groundbreaking. After all, it’s what makes us love them and root for them no matter where we find them.

Brunel with the launching chains of the SS Great Eastern, his later and most famous ship (public domain)

Brunel with the launching chains of the SS Great Eastern, his later and most famous ship (public domain)

How about you? Where did the ideas for your characters or other narrative elements come from? Did you look into history to find inspiration or another place entirely?

 

– Paige Duke